Beckett's Abstract Machine: Interpretation of Samuel Beckett's Trilogy through the Philosophy of Gilles Deleuze and Félix Guattari

експозе на магистерски труд

  • Darko Mitevski Blaže Koneski Faculty of Philology in Skopje, North Macedonia
Keywords: Beckett, schizoanalysis, Deleuze, Guattari, abstract machine, faciality

Abstract

This study describes and uses the philosophical concepts of Gilles Deleuze and Félix Guattari in conjunction with the prose works of Samuel Beckett (the novels Malloy, Malone Dies, and The Unnamable) in order to designate an abstract machine in Beckett’s writing. Deleuze and Guattari’s schizoanalysis and its’ concepts, such as assemblages, lines of escape, deterritorialization, bodies without organs, order-words, faciality, etc., are utilized as intepretative tools in Beckett’s novels. This intermixing of the writer’s and the philosophers’ ideas points towards a similar understanding of the usage of language and writing in relation to systems of oppression and constraint.

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References

Бекет, С. (1970) Неименливото. Скопје: Нова Македонија.
Barnard, G. C. (1970). Samuel Beckett: A New Approach. London: J. M. Dent &
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Beckett, S. (1955). Molloy. New York: Grove Press.
Beckett, S. (1956). Malone Dies. New York: Grove Press.
Beckett, S. (1983). Nohow On. London: John Calder Ltd.
Deleuze, G. (2004). Desert Islands and Other Texts 1953-1974. Los Angeles: Semiotext(e).
Deleuze, G. & Guattari, F. (1987). A Thousand Plateus. Minneapolis: The University of Minnesota Press.
Kenner, H. (1961). Samuel Beckett: A Critical Study. New York: Grove Press.
Scher, L. (1967). Samuel Beckett’s Trilogy: A Study In Circles And Ciphers. Greensboro: The University of North Carolina.
Shields, P. (2005). Beckett’s victors: Quests without qualities. The Florida State University.
Spengler, O. (1932). Man and Technics. New York: Knopf.
Published
2024-04-25
Section
Трудови од втор и од трет циклус студии