THE UNION OF FLORENCE AND PUSHKIN’S DRAMATIC REPRESENTATION OF TSAR DMITRY

  • Anna A. Hlaváčová Institute of Theatre and Film Research, Slovak Academy of Sciences Bratislava, Slovakia

Povzetek

My thesis is that, in his drama Boris Godunov, Pushkin did not work solely on the Time of Troubles, but having chosen events that happened around 1600 he opened up the older issues that shaped them. Namely this concerns the polarization that occurred after the Council of Florence (1439). Although this council confirmed cultural plurality and recognized both Latin and Byzantine ritual practices and wordings of the Creed as valid, it was rejected during the reign of Muscovite Grand Duke Basil II, the Blind. 

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Literatura

Пушкин, Александр С. Борис Годунов. Санкт-Петербург: в типографии
департамента народного просвещения. 1831. In: Фомичев, Сергей –
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Москва: Новое издательство. 2008. ISBN 978-5-98379-107-7.
Пушкин, Александр С. Борис Годунов. Полное собрание сочинений в 10 томах.
Том V. Издательство академии наук. Москва. 1958.
Dunning, Chester. The Tragic Fate of Pushkin’s Comedy. The Exiled PoetHistorian. In: The Uncensored Boris Godunov. The Case for Pushkin’s Original
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Emerson, Caryl. The Ebb and Flow of Influence. Tragedy, Comedy, Carnival, and
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Wood, Antony. Comedy about Tsar Boris and Grishka Otrepiev. Translation in:
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Objavljeno
2019-10-24
Kako citirati
Hlaváčová, A. A. (2019). THE UNION OF FLORENCE AND PUSHKIN’S DRAMATIC REPRESENTATION OF TSAR DMITRY. Filološke Pripombe, 12(1), 167-182. Pridobljeno od https://journals.ukim.mk/index.php/philologicalstudies/article/view/447
Rubrike
Jezik v zgodovinsko-kulturološkem kontekstu