ДИЈАЛОГОТ НА БЛАЖЕ КОНЕСКИ СО СРЕДНОВЕКОВНИОТ ФРЕСКОПИС

Authors

  • Vladimir Martinovski Faculty of Philology "Blaze Koneski", Universtiy "Ss Cyril and Methodius", Skopje, Macedonia , , Филолошки факултет „Блаже Конески“ Скопје, Македонија , , ,

Keywords:

Blaže Koneski, fresco painting, medieval art, poetics, fine arts, coincidences

Abstract

This article aims to present an analysis of the dialogue between Blaže Koneski (1921-1993) and medieval fresco painting, on two levels: 1) the role of fresco painting in Koneski’s poetry through an analysis of two of his emblematic poems (“Angelot na Sveta Sofija”; in English: Hagia Sophia’s Angel, and “Markoviot manastir”; in English: The Monastery of Saint Mark), and 2) the role of medieval fine arts in Blaže Koneski’s nonfiction through an analysis of several of his essays and lectures (“Svetlinata na nashite ochi”; in English: The Light of Our Eyes; “Sovpagjanja”; in English: Coincidences; and “Eden opit”; in English: An Experiment), in which the poet develops his views on literature and key points of his immanent poetics, by examining the relationship between literature and the fine arts.

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Philological Studies Vol.11 No.1 2013

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Published

2019-10-25

Issue

Vol. 11 No. 1 (2013): Philological Studies

Section

Philosophical-Cultural Problems

License

Philological studies © 2019. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License

How to Cite

ДИЈАЛОГОТ НА БЛАЖЕ КОНЕСКИ СО СРЕДНОВЕКОВНИОТ ФРЕСКОПИС. (2019). Philological Studies, 11(1), 62-70. https://journals.ukim.mk/index.php/philologicalstudies/article/view/493

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