A Comparative Approach to the Ballad of The Hidden Death: MEANING, STRUCTURE, TECHNIQUES
Keywords:
ballad poetics, ballad structure, ballad techniques, gender, West European and Slavic ballads
Abstract
The article is focused on a ballad fairly widely distributed in Western Europe and known under various titles: The Hidden Death, Le Roi Renaud, Sir Oluf, Clerk Colvill, etc. The analysis seeks to determine its structural features, narrative types, semantic oppositions, characters, gender perspective, structural analogues in the South Slavic tradition, its overall meaning and consider certain aspects of ballad poetics in the context of comparative studies.
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References
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Sephardic Ballads from the Balkans”, Ladinar. Estudios sobre la literatura, la
música y la historia de los sefardíes, vol. VII–VIII, 317–328.
Bilingual Anthology of the Earliest Extant South Slavic Folk Narrative Song, J.
D. Miletich (ed.), Urbana and Chicago: University of Illinois Press, 323–339.
Catalan: Catalan, Diego, “La Muerte Ocultada”, http://cuestadelzarzal.blogia.com/
temas/ii.-la-muerte-ocultada.
Child 1882–1898: Child, Francis J. The English and Scottish Popular Ballads, vol. I,
Boston.
Đokić 1998: Đokić, Danica, “Posmrtna svadba na teritoriji južnih Slovena”, Kodovi
slovenskih kultura, Beograd, 3, 136–153.
Mariscal de Rhett 1984–1985: Mariscal de Rhett, Beatriz, La muerte ocultada, edición
y estudio B. Mariscal de Rhett, Madrid: Seminario Menéndez Pidal – Editorial
Gredos.
Miletich 1990: Miletich, John D., The Bugarštica. A Bilingual Anthology of the
Earliest Extant South Slavic Folk Narrative Song, edition, verse translation,
introduction and bibliography J. S. Miletich, “Foreword”, A. B. Lord, “Afterword” by S. G. Armistead, Urbana and Chicago: University of Illinois Press.
Tomashevsky 1972: Tomaševski, Boris, Teorija književnosti [Serbian translation of
Theory of Literature], Belgrade.
Vidaković-Petrov 1988: Vidaković-Petrov, Krinka, “Ne-narativno načelo u strukturi
balade”, Poetika srpske književnosti, Beograd: Institut za književnost i
umetnost, 141–159.
Vidaković-Petrov 1989: Vidaković-Petrov, Krinka, “O narodnim tužbalicama”,
Književna kritika, XX, juli–avgust, 99–115.
Vidaković-Petrov 1994: Vidaković-Petrov, Krinka, ”Funeral and Wedding Laments
in the Serbian Oral Tradition”, Indiana Slavic Studies, Bloomington, VII, 273–
282.
Vidaković-Petrov 2007: Vidaković-Petrov, Krinka, “Pogrebni običaji u Španiji i
Srbiji”, in Vidaković-Petrov, Srbija i Španija. Književne veze, Beograd:
Signature, 11–43.
Vidaković-Petrov 2014: Vidaković-Petrov, Krinka, “The Gender Perspective in
Sephardic Ballads from the Balkans”, Ladinar. Estudios sobre la literatura, la
música y la historia de los sefardíes, vol. VII–VIII, 317–328.
Published
2019-10-22
How to Cite
Vidaković-Petrov, K. (2019). A Comparative Approach to the Ballad of The Hidden Death: MEANING, STRUCTURE, TECHNIQUES. Philological Studies, 13(1), 199-214. Retrieved from https://journals.ukim.mk/index.php/philologicalstudies/article/view/387
Section
Literature in Intercultural Context
Philological studies © 2019. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License
